Here’s a look at how to play left-handed harmonics on the harp, including some slow motion footage. I’ve done a bunch of other episodes about harmonics, check them out at https://www.harptuesday.com/category/harmonics/
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Here’s a look at how to play two handed trills on the harp, including some slow motion footage. If you want to work on trills you might also check out these other Harp Tuesday and Slow Motion Monday videos.
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In this episode I take a look at an old popular French song called Le Roi a Fait Battre Tambour. Louise Charpentier did an arrangement of it and Henriette Renie includes a version of that arrangement in her Method for Harp (this is the version I’m using).
You can find Charpentier’s original arrangement in her book “10 Pieces variees”
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My friend Dorothy Cook asked me a number of years ago if I could write down a piece that she had composed. That piece is called St. Columba’s Moon, inspired by an experience she’d had at a harp event at a place called St. Columba’s house.
I’ve always wanted to do a Harp Tuesday episode about the piece – and here it is! Dorothy has made the sheet music freely available if you want to play it yourself.
Dorothy as an amazing storytelling and I’m so glad that I got the chance to film her telling the story behind the piece. Stay tuned to the end of the episode to hear her story and to hear me play through the entire piece.
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Once you understand the basics of learning to read music (I did an episode on it many, many years ago! Episode 5…) I think the best way to get fluent is just doing it enough that it becomes second nature.
Drill/flash card style apps can potentially be a good tool. I’ve always thought it would be great to have an app that would let you play the note you think it is on your instrument, and tell you if you were right or wrong! (Rather than typing it, or otherwise indicating the note on the screen).
Thanks to a Facebook discussion I became aware of Note Rush, an app which does just that. In this episode I go over how it works and some of the quirks and downsides.
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I love George Winston’s take on Carol of the Bells (the traditional Ukrainian song Shchedryk). In this episode I take a look at how to play it on lever harp!
Here’s a link to the sheet music I’m using (note that this is an affiliate link – I will get a small percentage if you purchase the music using the link.
As I mention in the episode, there are several options for Winston’s music, none of which seem to be completely free of errors. If you like his music you might pick up the “George Winston Piano Solos” book 1.
I just bought the Kindle version of the book a couple days ago to see whether it is any more accurate and it seems to be exactly the same as the version I used (mistakes and all). The Prelude, however, seems more accurate, and of course it includes a bunch of other music!
I filmed a music video on pedal harp:
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In this episode I take a quick look at “Swinging” from page 5 of Betty Paret’s First Harp Book. It features right hand glisses – check out episode 18 for more on glisses: https://www.harptuesday.com/harp-tuesday-ep-18/
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There’s a standard fingering to use for any interval. Of course you don’t always have to follow it (especially if you have particularly small or large hands) but it’s worth knowing about – as well as the reasoning behind it.
You can download a PDF showing these typical fingerings here.
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3 years ago I bought a 4 piezo pickup kit on Ebay for $70 US. I finally got around to installing it – watch the installation process in this video and tune in next week for my thoughts after using it for a week, and thoughts on pick-ups in general.
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Here’s a look at how to play the Rondo from Betty Paret’s First Harp Book. (I have wonderful memories of learning this piece 30+ years ago). It’s great practice for being able to smoothly turn around a 1,2,3,2,1 pattern.
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In this episode I take a look at the first (grade 1/grado 1) exercise from Pozzoli’s “Piccoli Studi facili e progressivi”, found in Maria Grossi’s “Method for Harp” (page 90 in the edition I have).
If you’re looking for exercises the entire book has lots of good material, almost all of which can be played on a lever harp.
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What to do if you have an injury/can’t play with one hand for awhile? I offer up a few ideas, exercises, and pieces, with a focus on the left hand, as it tends to not be as accomplished as the right hand so it can be worth doing some left hand work regardless of whether you can play with both hands or not!
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Harmonics on the harp really benefit from sustained practice, but often pieces only have a few harmonics. In this episode I use a very easy setting of a Bach Chorale that I did several years ago (episode 181) and turn it into an etude for harmonics!
And here’s the episode on the Bach Chorale – my discussion of the phrasing and dynamics apply whether you’re playing it with harmonics or not! https://www.harptuesday.com/ep181/
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In this episode I teach an easy arrangement I did of Carol of the Bells, suitable for small (fully-levered) harps.
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In this episode I answer a viewer’s question about playing ascending intervals, and how to make them staccato, specifically in the end of Debussy’s Prelude No. 8 (“La fille aux cheveux de lin/Girl with the Flaxen Hair”).
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Here’s a technique that you can use to “slide” your fourth finger along a previously played string to muffle it on the way to playing the string above it. Very useful to have in your bag of tools!
Support from my patrons helped make this video possible – if you would like to help support future videos you can become a patron at https://www.patreon.com/joshlayne
Support from my patrons helped make this video possible – if you would like to help support future videos you can become a patron at https://www.patreon.com/joshlayne
Get free sheet music and stay up-to-date on what I’m doing by signing up to my email newsletter at http://eepurl.com/nBSlz
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Hope you enjoyed this on location video about a very cool harp! Support from my patrons helped make this video possible – if you would like to help support future videos you can become a patron at https://www.patreon.com/joshlayne
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I love the feeling and sound that gets created by firmly gripping the harp strings – putting quite a bit of one’s fingers on the strings. In this episode I give a close up (and slow motion) look at how far I put my fingers between the strings.
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Harp carts can be expensive and hard to find – in this episode I show how I’ve been able to use a cheap golf cart as a pretty decent harp cart!
Re-purposing stuff is always fun – in this case I didn’t really have to do anything, just taped on some plastic padding and added a couple bungie cords.
Of course, golf carts aren’t designed for harps, so use this idea at your own risk, but it’s worked out very well for me!
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This simple (but not easy!) exercise is particularly good for a number of things, but particularly for working on placing all 4 fingers on the way down, rather than walking the fingers down one at a time. Hope you find it useful!
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In this episode I talk about three techniques you can use to help to memorize music and demonstrate them in action as I attempt to memorize a piece of music called Cherry Trees at Merchiston written by Isobel Mieras (http://www.isobelmieras.co.uk/) Written originally for the 2020 virtual edition of the Edinburgh Harp Festival, it is available as part of this collection: http://www.creightonscollection.co.uk/Pages/scores/SM/SM668.htm
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The time signatures of 3/4 and 6/8 both contain a total of six 8th notes. So what is the difference between them?? This is a question I’ve often been asked by students, and in this video I attempt to answer. (Quick answer – 3/4 has 3 beats or pulses per bar, and 6/8 only has 2 beats).
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A look at the technique I use to muffle a string before changing its lever.
I’m using as an example Bach’s Prelude No. 1 in C major, which is a fantastic piece to practice lever changes and muffles. Lots of arrangements for lever harp exist, including in my book “Transcriptions for Lever Harp”.
If you’re my patron at the $3+ level you can get a free copy of my arrangement of the Prelude.
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An in-depth look at my arrangement for lever harp of the the Chaconne from Handel’s Suite in D minor, HWV 448. (One of seven pieces in my book, Transcriptions for Lever Harp).
Placing all four fingers but only playing 2 at a time – featuring a section from my composition Nordic Spaces.
This type of finger independence can be extremely handy! For more, check out Harp Tuesday episode 23, plus page 32 from Betty Paret’s First Harp Book and/or the first set of the Lariviere exercises.
How I record on outdoors with a handheld recorder (Zoom H5) placed inside the body of my lever harp, PLUS how to automatically sync the audio afterwards using free video editing software, DaVinci Resolve.
In this episode I attempt to clearly define the harp fingering rule of only placing in one direction/not playing out of order and demonstrate what that means in practice using Bach’s Prelude No. 1 in C Major.
In this episode I demonstrate how to use a metronome that is gradually speeding up to practice arpeggios. Also check out this episode on arpeggios: https://www.harptuesday.com/ep-39-exercises-arpeggios-scales-and-more/
In this short technique episode, I give a look at how to playing descending 2 note chords (3rds, 6ths, etc.) using a thumb slide – a technique that opens up the possibility of more speed than playing each chord individually.
In this episode of Harp Tuesday I take a look at a short piece from Betty Paret’s “First Harp Book”. “Night Song” is a beautiful piece, and great practice for right hand chords (3rds and 6ths).
I could resist a beautiful June day, and took Harp Tuesday outside! This also ties in with my new series, Harpist in the Wild. Episode 2 (A Baroque Feast) is about to wrap up, with the season finale on June 5. More at https://www.harpistinthewild.com/
In this video I look at how to break down and practice a short section from Bach’s Toccata in D minor. This method of finding a small section or “chunk” that you can practice effectively is a very important and useful concept for practicing in general!
A short etude to work on your left hand’s ability to jump from a low chord to a high chord and back again! Playable on a small harp – no sheet music, but I just teach it by rote – hope you enjoy!
Here’s my answer to a viewer’s question on what you need to do on the harp to make a chord major or minor. (Answer – the fingers play the same strings – it’s all about the lever or pedal settings!).
In this episode of Harp Tuesday I take a look at how to play Carol Kappus’ beautiful arrangement of “Poor Wayfaring Stranger”. Check out Carol’s music and sign up for her email list at http://www.carolkappus.com
I recorded “Poor Wayfaring Stranger” as a standalone music video:
This episode is special not only because it’s episode 200, but also because Harp Tuesday turns 10 years old today! Ten years ago on Dec. 1, 2010, I uploaded the very first episode of Harp Tuesday. (https://www.harptuesday.com/ep1/)
Support from my patrons has been invaluable over these past few years. You can become my patron and support the work I do on YouTube at: https://www.patreon.com/joshlayne
A special virtual duet episode of Harp Tuesday! I’ve uploaded myself playing the 2nd harp part to Henriette Renié’s beautiful duet, “Les pins de Charlannes” and I invite you to play the 1st harp part along with me!
A viewer did this excellent adaptation for lever harp of the theme from Felix Godefroid’s Concert Etude in Eb Minor. In this episode I introduce you to the piece and look at how to play it.
30 years ago, on Oct. 9th, 1990 I started learning “Good Morning, Little Yellow Bird”. This is the earliest piece of music I have on which my teacher (Kathryn Ely) wrote the date we started. 30 years later I thought it would be fitting to do a Harp Tuesday episode on it – hope you enjoy!
A look at two very common left hand accompaniment patterns and how to play them fluidly! 1,5,8,9,10 crossing under (or 1,5,8,10,12) plus the big stretch of a 1,5,8,10 without crossing under.
Here’s the system I use to indicate lever changes easily and clearly in Finale. Lever changes can pose a bit of challenge to show exactly which lever is to be changed.
Even if you work with a different notation software (Musescore, Sibelius, etc.) I hope this episode is helpful and gives you some ideas 🙂
The mordent that starts the Toccata and Fugue in D minor is one of the most recognizable openings in all of classical music. In this episode of Harp Tuesday I talk about two possible fingerings – one that I feel is ideal for this type of pattern, and the other, that I ultimately ended up using 🙂
My Camac Excalibur is almost three years old (hard to believe!) and I recently replaced the wire strings.
In this video I talk about and offer tips on the process, as well as playing before and after sound samples to try and give an idea of what effect it has to put on new strings!
A look at one of the most important part of music – phrasing, or the space between the notes! In this episode I analyze three different recordings of a bar from Chopin’s Nocturne, Op. 9 No. 2 to try to make clear what I mean when I’m talking about phrasing.
Play along with me as I do some rolled (broken) chord practice on the harp!
I’m using a metronome app called Pro Metronome (thanks to viewer Keven for his suggestion!) and its “practice mode” to very gradually speed up the pace. Link below, though note that practice mode is a paid upgrade. Do you have a favorite app that does something similar? Let me know in the comments!
I thought I’d do something a little different today and try and teach (and learn myself!) a tune by ear. A beautiful Irish tune known by a number of different names – Down by the Salley Gardens (or Sally Gardens), Maids of Mourne Shore, The Foggy Dew, etc.
While it kind of defeats the purpose (of learning it by ear) if you’d like a free copy of the music with my fingerings, sign up for my newsletter
(Existing subscribers, email me and I’ll send you a copy!)
An easy Bach “Chorale” gives me an opportunity to talk about phrasing and dynamics!
If you’d like the sheet music for this easy harp arrangement of “Erkenne mich, mein Hüter” from Bach’s St. Matthew’s Passion, just sign up for my email newsletter and I’ll send you a copy 🙂
A look at eight note (four notes per hand) chord progressions, using the opening of Naderman’s First Sonata as an example. (You can find the sheet at the harp archives).
Such a useful thing to automatically be able to do! Here are a few other Harp Tuesday episodes that touch on chords and chord progressions: https://www.harptuesday.com/category/chords/
In this episode of Harp Tuesday you get a real-time look as I start a new composition.
I always have a bit of a soft spot for these real-time episodes, but primarily I think they’re useful for me, haha 🙂 Still, I hope you find this interesting and/or useful – comment if you end up watching the entire episode!
The Governor in Our Brains and The Mountain… or the Jungle – why learning new things can seem hard. In this episode I talk about a couple of concepts that relate to learning things that are new to us. Hope you find this helpful, would love to hear from you in the comments!
In this episode I talk about how choosing a fingering that focuses just on a fast ornament or section and then comes off, even if there are additional notes after the ornament, can be a useful approach. I use two sections from Deborah Henson-Conant’s “The Nightingale” to demonstrate what I mean.
In this episode I take a look at a piece from Mildred Dilling’s collection “Thirty Little Classics for the Harp”. It’s a Minuet in G minor by Jean-Jacques Rousseau (yes, the philosopher). A beautiful, elegant tune that’s easy to play.
Is playing a separate pattern in each hand a challenge for you? In this episode of Harp Tuesday I offer some ideas of how to coordinate playing with both hands at the same time, using as an example a small section from my arrangement of The Skye Boat Song.
“To Zanarkand” is a beautiful melody by Nobuo Uematsu from the video game Final Fantasy X. I plan to record a music video of this sometime this summer and I still need to practice the lever changes towards the end of the piece – join me as I work on them!
In this episode of Harp Tuesday I use the left hand pattern in Kim Robertson’s arrangement of Fauré’s Pavane to talk about three things to do to make an up and down left hand pattern sound as smooth and flowing as possible.
Kim Robertson’s Celtic Harp Solos is an excellent book. Your favourite harp music retailer will probably have a copy (or could obtain one for you). For example: https://gourd.com/robertsonbooks.html
Relaxation is so important when playing any instrument – both for speed and to remain injury and pain free. Making sure your fingers don’t stay clenched into the palm when they aren’t playing is one key to staying relaxed. In this episode I talk about how to achieve that (including using a rubber band as an aid!) and demonstrate how it looks.
Finding patterns in music is such a powerful tool! In this episode I analyze a section from Einaudi’s “Primavera” as an example. Whether you want to memorize a piece or just improve your fluency while playing from sheet music, looking for and finding patterns will serve you well 🙂
Normally, when we play a harmonic on the harp it sounds an octave higher.
But it’s possible to play harmonics that sound an octave and a 5th higher, or 2 octaves, or 2 octaves+ 3rd, 2 octaves+ 5th, etc.
In this episode I demonstrate a technique I worked on recently to facilitate these extended harmonics that’s different from the way we normally play harmonics. Hope you enjoy 🙂 Would love to hear from you if you use an unusual physical approach when playing harmonics!
I highly recommend listening to the full orchestral original. Here’s a link that shows the score as it plays: (We hear the violin solo+harp chords “Scheherazade” theme for the first time at 0:52 )
Hope you enjoy! Thanks to one of my patrons for the suggestion – I wasn’t aware of this arrangement and it’s beautiful and a lot of fun to play 🙂 You, too, can become my patron and support Harp Tuesday at https://www.patreon.com/joshlayne
Happy 2019 everyone! I’m busy finishing my annual New Year’s Improv video, and I thought what better subject for today’s Harp Tuesday episode than a look at improvisation. I offer two concrete ideas to spark your creativity and get you improvising in 2019 🙂
In this episode of Harp Tuesday I talk about ways to practice playing fast downward arpeggios – using Samuel Pratt’s classical “The Little Fountain” as my example!
And I did a Slow Motion Monday episode from a different angle:
In this episode I show how to learn an easy version of Oh Come, Oh Come, Emmanuel / Veni, Veni Emmanuel. Find the free sheet music at http://www.joshlayne.com/emmanuel
I’m home from my fall 2018 European tour and ready to get back into recording Harp Tuesday episodes! Here’s a look at a short section from Debussy’s 1st Arabesque that features two different places where you have to be very careful to avoid buzzing!
A year ago I bought a beautiful new Camac “Excalibur”. I did a video talking about it when I first got it and I thought it would be fun to do something a year later (spoiler alert, I’m still in love 🙂
Here’s part 2 of my process of arranging the Skype Boat Song. Was inspired to do this from remembering my Arranging Greensleeves Project and thought the time was right to do something like that again! I’ll be arranging the Skye Boat Song over several episodes, watch part 1 here.
A real-time look at adapting for lever harp the first of six “Noels” by Marcel Tournier. Tournier wrote these for pedal harp, and there’s a certain amount of modulation going on in this Noel. Still, having played through it a couple times I’m hopeful that I can adapt it for lever harp – join me for the journey and lets see if it works out! 🙂
In this episode I look at how to play the polyrhythm of 2 against 3 using examples from Debussy’s First Arabesque.
You can find Renie’s transcription of the Arabesque at IMSLP – http://imslp.org/wiki/2_Arabesques_(Debussy%2C_Claude) (Look for the “Arrangements and Transcriptions” tab).
In this episode of Harp Tuesday I use the Irish slip jig The Butterfly as a starting point to talk about fingering and technique. Music for the Butterfly and 1000s of other traditional tunes can be found at https://thesession.org/tunes
Sign up to my email newsletter to get a free PDF copy with my suggested fingerings!
In this episode oI talk about chord progressions and working on the ability to automatically go up and down a chord sequence (root, 1st inversion, 2nd inversion). As a companion to this episode you might find these two episodes helpful:
In this first episode I take a look at a beautiful piece called Alfonso XII el Sabio (13th century Spain) from Kim Robertson’s sheet music book “Celtic Harp Solos . (I wonder if in fact it’s music associated with Alfonso X el Sabio).
With a rather hypnotic tune and great rhythms this is a very fun piece to play!
(Celtic Harp Solos is an excellent book. Your favourite harp music retailer will probably have a copy (or could obtain one for you). It also appears to be available as a PDF download. For example:
In episode 117 I demonstrate how to play Marcel Tournier’s beautiful composition Soupir on the lever harp. Written for the pedal harp, it works very well on the lever harp as well! Download my adaption for free. (Want to play this on the pedal harp? The sheet music I used, sans my notation, can be found at archive.org)
(Note that in the video I’d forgotten to circle the low Gb at the end to indicate it’s to be played as an enharmonic (F#). The PDF link has above has the correct notation).
In episode 118 you get a look at me learning Soupir as I try to get it in shape to record it:
In this episode of Harp Tuesday I talk about my experience using the forScore app on an iPad air in place of physical sheet music. (I’ve found it very useful).
In this episode I continue my look at electric harps (playing a “Firefly 2” electric harp I bought last year from Wickford Harps / Dick Ranlet http://wickharps.blogspot.ca/) with a focus on looper pedals and some of the things you can do with a looper pedal!
In this episode of Harp Tuesday I talk about and demonstrate the “Firefly 2” electric harp I bought last year from Wickford Harps / Dick Ranlet as well as talk about electric harps in general.
I will be doing a follow-up episode demonstrating using a looper pedal – if you have any questions you’d like answered let me know!
Video where Dick Ranlet demonstrates his two part harp system –
In this episode I take a look at a contrary motion exercise you could use to practice coordinating two hands at once. But the practice principle I talk about can be applied to anything you’re working on!
“Pistache” (Pistachio) is one of a collection of pieces by Bernard Andres called “Epices” (Spices) where every pieces is based on a spice (Paprika, Cinnamon, Vanilla, etc.)
Pistache is probably my favourite from book one of the collection, and in this episode I take a look at it. Pistache has a bunch of cool effect/extended techniques, some fun rhythm stuff, and is just overall a blast to play 🙂
Welcome to the 100th episode of Harp Tuesday! 100 is a big number and I feel proud to have reached it! 🙂 Thanks to all of you who watch and comments on my videos – you’re the reason I’ve made it to #100!
In this episode I offer some thoughts and advice on buying a harp, with an emphasis on advice for someone looking to buy their very first harp.
I hope this is helpful, and thanks for watching!
The complete episode is below, but I also split this episode into individual sections if there’s something specific you’re interested in.
In this six part series I take a look at my Fantasy on Greensleeves, the lever harp version. Be sure to check out my Arranging Greensleevesprojectpage for more info, or to buy the sheet music!
“I feel different” is one of my favourite compositions by Dutch harpist/composer Anne Vanschothorst. It felt like a great subject for my return to Harp Tuesday after a long break due to my European trip, etc.
Feels great to be back, and on almost exactly the five year anniversary of the very first Harp Tuesday episode!
Hope you enjoy – I’ll be doing a couple follow up Slow Motion Monday videos from this piece – look for that next week.
In this special edition of Harp Tuesday from the Zagreb Harp Centre in Croatia (http://zagrebharpfestival.com) I take a look at the “Rondo” from Bochsa’s “Air and Rondo” – the first piece in Samuel Milligan’s “Medieval to Modern volume 2”.
In this special edition of Harp Tuesday from the Zagreb Harp Centre in Croatia (http://zagrebharpfestival.com) I take a look at the “Air” from Bochsa’s “Air and Rondo” – the first piece in Samuel Milligan’s “Medieval to Modern volume 2”.
We so often play chords with a break/roll, even if it’s very slight. It’s good to be able to play chords with every note sounding at the exact same time – here I offer a few thoughts on hand position and finger action when playing 4 finger solid chords.
Here’s a “Slow Motion Monday” video of me playing chords:
In this episode I have fun slowing down three short clips. To start is a look at a right hand scale, followed by the last page of Grandjany’s “Rhapsody”, and finally a short section from Anne Vanschothorst’s “A Bird Came Flying”
Harpist and composer Bernard Andrès has written a lot of music for harp, here in these episodes I look at three pieces from his book Ribambelle – a set of 10 short works for lever or pedal harp
In this episode of Harp Tuesday I take a close up look at playing a left hand pattern often referred to as an “Alberti Bass”. (For example, C, G, E, G, C, G, E, G, etc.)
From orchestral playing to harp ensembles to duets, playing with other people is a lot of fun! In this episode of Harp Tuesday I talk about two aspects of playing with others and give some specific exercises you can practice on your own.
In this episode of Harp Tuesday I finally (!) finish my look at how to read music. In December of 2010, for my fifth episode of Harp Tuesday, I talked about how to decipher notes on the printed page and translate them into which strings to play on the harp… In this episode I talk about the other aspect of written music – Rhythm!
This was a tricky episode to put together, and I’m still not sure how much sense it makes, but if you’re trying to learn to read music hopefully this will help!
You can download the PDF sheet showing what shapes equal what note durations (Whole note, half note, etc.) here.
In these episodes of Harp Tuesday I look at a piece that I learned as “Variations sur un theme de Mozart”, playable on the Celtic harp and edited by Odette le Dentu. However, it turns out it may have nothing to do with Mozart! Thanks to a youtube comment I found the original on IMSLP – it’s the first of 4 Airs and variations by French composer Martin Dalvimare.
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Public domain editions of the original and complete Mozart sonata can be found at Mutopia and IMSLP – you might enjoy exploring the rest of the Sonata!
In this episode of Harp Tuesday I talk about creating simple accompaniment patterns for the left hand based on chords, and offer some ideas on improv. Both draw heavily from a firm knowledge of chord structure – I did an episode on chords that might prove useful.
I use Auld Lang Syne as the demonstration piece for this episode. I’m reading from a handwritten lead sheet (chord symbols + right hand tune). Download the PDF here.
In this episode I talk about Bach’s “Jesu, Joy of Man’s Desiring” (from Cantata BWV 147)
The beauty of virtual sheet music is I can easily offer a whole bunch of different versions. So pick the one you prefer, or download them all!
The arrangement is for the public domain, so feel free to copy and distribute as much as you would like. While you’re here, consider signing up to my email newsletter. It’s the best way to stay up-to-date on what I’m doing, plus you get some free sheet music! (And you can always check out my other sheet music available at my online store).
The only difference between the two versions is a low B in the bass, and the markings for the lever/pedal change. The next two versions include the low B.
In this episode I take a look at Deborah Friou’s wonderful arrangement of Scarborough Fair. Sheet music (including PDF) available at the Sylvia Wood’s Harp Center.
I recorded a music video of A Bird Came Flying last year.
The piece can be broken into 5 parts, here are time links to when I start talking about each part:
Start – Page 1 1:50
Page 2 12:15
Page 3 18:56
Pages 4+5 24:50
Page 6 30:15
For the first Harp Tuesday episode of 2013 I tried something new – a virtual duet of the Bach/Gounod Ave Maria.
I’ve recorded both parts to the Bach/Gounod Ave Maria, with the idea being that you can pick a part to play (tune/accompaniment) and then playing along with the video of the corresponding part – a virtual duet!
The tune is quite easy – just single notes for the right hand. It can be played on the lever harp (there are two lever changes, but since the left hand isn’t playing they should be fairly painless…)
The accompaniment (Bach’s Prelude No. 1) is harder, and involves a number of pedal changes. I’m also not sure how easy it will be to try and play along with the tune, since the tune has a lot of long notes, where there is no way of knowing whether we’re together or not… Would love to hear your experiences if you try it!
You can download a PDF of the sheet music. As long as it isn’t too confusing, I’d suggest trying to play from the score, which has both parts. This lets you see what the other part is supposed to be doing 🙂
I take another look at the basic finger/hand motions involved in playing the harp, including some close-ups that give a clear picture of what I’m talking about!
In this episode of Harp Tuesday I talk about three different types of exercises – scales, finger independence, and arpeggios. I give a somewhat in-depth look at arpeggios starting at 14:26
In this episode of Harp Tuesday I talk about dealing tricky rhythms – with a look at sections from Flowers in the Valley, the Sarabande from Bach’s Partitia no. 1, the Interlude from Britten’s Ceremony of Carols, and The Blue Dove.
I talk about looking at patterns as a way to help memorize music, and demonstrate by memorizing “Flowers in the Valley” from Betty Paret’s “First Harp Book”.
I had a lot of fun with this series of episodes – all about arranging Greensleeves. I ended up with an arrangement/composition that I really like, and it’s neat to see it happen bit by bit, including in the first episode, in real time!
In this episode of Harp Tuesday I talk about glissando or glisses. The gliss is such a quintessential harp sound – but here I also explore some of the more unusual glisses that are possible:
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Support from my patrons helps make continued Harp Tuesday episodes possible – if you would like to help support future videos you can become a patron at https://www.patreon.com/joshlayne
Get free sheet music and stay up-to-date on what I’m doing by signing up to my email newsletter!
Support from my patrons helps make continued Harp Tuesday episodes possible – if you would like to help support future videos you can become a patron at https://www.patreon.com/joshlayne
I later did a follow up to this episode, plus an episode on changing wire strings:
And low octave gut strings:
I also did a live-stream of changing the strings on my lever harp:
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Over the years I’ve done a bunch of further videos on harmonics:
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In this episode I talk about how to play one of the quintessential sounds on the harp – the rolled or broken chord:
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Your second harp lesson. In this episode I talk about playing multiple notes at the same time (chords) and some fingering basics (connecting, etc.)
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In this episode I cover two topics – tuning your harp and learning to read music. I’ve also included the conclusion to my look at learning to read music, Harp Tuesday ep. 80
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Your first harp lesson! I talk about some basics to get you started playing the harp:
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Support from my patrons helps make continued Harp Tuesday episodes possible – if you would like to help support future videos you can become a patron at https://www.patreon.com/joshlayne