“Pistache” (Pistachio) is one of a collection of pieces by Bernard Andres called “Epices” (Spices) where every pieces is based on a spice (Paprika, Cinnamon, Vanilla, etc.)
Pistache is probably my favourite from book one of the collection, and in this episode I take a look at it. Pistache has a bunch of cool effect/extended techniques, some fun rhythm stuff, and is just overall a blast to play 🙂
In this episode of Harp Tuesday I take a look at pedal slides, an extended technique for harp that takes advantage of the sound created when we change the pedal of a still vibrating string. Two of the pieces that I talk about are Salzedo’s “La Desirade” and Andre Caplet’s 2nd Divertissement “a l’espagnole“.
A two part look at Canadian composer Marjan Mozetich’s beautiful harp solo “Songs of Nymphs“. Written for Erica Goodman in 1988 with the assistance of the Ontario Arts Council, Songs of Nymphs is made up of four songs, or movements:
Welcome to the 100th episode of Harp Tuesday! 100 is a big number and I feel proud to have reached it! 🙂 Thanks to all of you who watch and comments on my videos – you’re the reason I’ve made it to #100!
In this episode I offer some thoughts and advice on buying a harp, with an emphasis on advice for someone looking to buy their very first harp.
I hope this is helpful, and thanks for watching!
The complete episode is below, but I also split this episode into individual sections if there’s something specific you’re interested in.
In this six part series I take a look at my Fantasy on Greensleeves, the lever harp version. Be sure to check out my Arranging Greensleevesprojectpage for more info, or to buy the sheet music!
“I feel different” is one of my favourite compositions by Dutch harpist/composer Anne Vanschothorst. It felt like a great subject for my return to Harp Tuesday after a long break due to my European trip, etc.
Feels great to be back, and on almost exactly the five year anniversary of the very first Harp Tuesday episode!
Hope you enjoy – I’ll be doing a couple follow up Slow Motion Monday videos from this piece – look for that next week.
In this special edition of Harp Tuesday from the Zagreb Harp Centre in Croatia (http://zagrebharpfestival.com) I take a look at the “Rondo” from Bochsa’s “Air and Rondo” – the first piece in Samuel Milligan’s “Medieval to Modern volume 2”.
In this special edition of Harp Tuesday from the Zagreb Harp Centre in Croatia (http://zagrebharpfestival.com) I take a look at the “Air” from Bochsa’s “Air and Rondo” – the first piece in Samuel Milligan’s “Medieval to Modern volume 2”.
We so often play chords with a break/roll, even if it’s very slight. It’s good to be able to play chords with every note sounding at the exact same time – here I offer a few thoughts on hand position and finger action when playing 4 finger solid chords.
Here’s a “Slow Motion Monday” video of me playing chords:
In a first ever for Harp Tuesday, this episode features a guest – harpist and harp maker Robin Ward. I met with Robin backstage after a performance at the Rio Harp Festival and he talks about and demonstrates on the triple harp!
In this episode I look at a very small section from Marcel Grandjany’s composition “Rhapsodie” and talk about and play around with different ways of phrasing it.
In many ways what it boils down to is first figuring out how you want it to sound (in your head) and then working on being able to play it that way on your instrument…
In this episode I have fun slowing down three short clips. To start is a look at a right hand scale, followed by the last page of Grandjany’s “Rhapsody”, and finally a short section from Anne Vanschothorst’s “A Bird Came Flying”
Harpist and composer Bernard Andrès has written a lot of music for harp, here in these episodes I look at three pieces from his book Ribambelle – a set of 10 short works for lever or pedal harp
In this episode of Harp Tuesday I take a close up look at playing a left hand pattern often referred to as an “Alberti Bass”. (For example, C, G, E, G, C, G, E, G, etc.)
From orchestral playing to harp ensembles to duets, playing with other people is a lot of fun! In this episode of Harp Tuesday I talk about two aspects of playing with others and give some specific exercises you can practice on your own.
In this episode of Harp Tuesday I finally (!) finish my look at how to read music. In December of 2010, for my fifth episode of Harp Tuesday, I talked about how to decipher notes on the printed page and translate them into which strings to play on the harp… In this episode I talk about the other aspect of written music – Rhythm!
This was a tricky episode to put together, and I’m still not sure how much sense it makes, but if you’re trying to learn to read music hopefully this will help!
You can download the PDF sheet showing what shapes equal what note durations (Whole note, half note, etc.) here.
In these episodes of Harp Tuesday I look at a piece that I learned as “Variations sur un theme de Mozart”, playable on the Celtic harp and edited by Odette le Dentu. However, it turns out it may have nothing to do with Mozart! Thanks to a youtube comment I found the original on IMSLP – it’s the first of 4 Airs and variations by French composer Martin Dalvimare.
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Public domain editions of the original and complete Mozart sonata can be found at Mutopia and IMSLP – you might enjoy exploring the rest of the Sonata!
In this episode of Harp Tuesday I talk about creating simple accompaniment patterns for the left hand based on chords, and offer some ideas on improv. Both draw heavily from a firm knowledge of chord structure – I did an episode on chords that might prove useful.
I use Auld Lang Syne as the demonstration piece for this episode. I’m reading from a handwritten lead sheet (chord symbols + right hand tune). Download the PDF here.
In this episode I talk about Bach’s “Jesu, Joy of Man’s Desiring” (from Cantata BWV 147)
The beauty of virtual sheet music is I can easily offer a whole bunch of different versions. So pick the one you prefer, or download them all!
The arrangement is for the public domain, so feel free to copy and distribute as much as you would like. While you’re here, consider signing up to my email newsletter. It’s the best way to stay up-to-date on what I’m doing, plus you get some free sheet music! (And you can always check out my other sheet music available at my online store).
The only difference between the two versions is a low B in the bass, and the markings for the lever/pedal change. The next two versions include the low B.
In this episode of Harp Tuesday I conclude a look at some of my favourite Etudes. I talk about Hasselmans “La Source” or “The Brook” and Felix Godefroid’s Etude de Concert.
Stay tuned at the end of the episode for a short bonus clip of the conclusion of the Godefroid etude.
In this episode I talk about transcribing music written for other instruments, with a focus on “solving” pedal challenges. I also demonstrate how I change 3 pedals at once for a Beethoven Sonata
In this somewhat silly episode of Harp Tuesday I talk about some of the useful things I keep in my harp bag, plus ways to deal with difficult page turns.
In this episode of Harp Tuesday I take a look at pedal changes, with a bird’s eye view of how I change pedals, plus a simple exercise to help familiarize your feet with the pedals!
The piece I play at the end is the 2nd half of the Gigue from Bach’s Partita No. 1 in B flat major, BWV 825.
In this episode I take a look at Deborah Friou’s wonderful arrangement of Scarborough Fair. Sheet music (including PDF) available at the Sylvia Wood’s Harp Center.
I recorded a music video of A Bird Came Flying last year.
The piece can be broken into 5 parts, here are time links to when I start talking about each part:
Start – Page 1Â 1:50
Page 2Â 12:15
Page 3Â Â 18:56
Pages 4+5Â Â 24:50
Page 6Â Â 30:15
For the first Harp Tuesday episode of 2013 I tried something new – a virtual duet of the Bach/Gounod Ave Maria.
I’ve recorded both parts to the Bach/Gounod Ave Maria, with the idea being that you can pick a part to play (tune/accompaniment) and then playing along with the video of the corresponding part – a virtual duet!
The tune is quite easy – just single notes for the right hand. It can be played on the lever harp (there are two lever changes, but since the left hand isn’t playing they should be fairly painless…)
The accompaniment (Bach’s Prelude No. 1) is harder, and involves a number of pedal changes. I’m also not sure how easy it will be to try and play along with the tune, since the tune has a lot of long notes, where there is no way of knowing whether we’re together or not… Would love to hear your experiences if you try it!
You can download a PDF of the sheet music. As long as it isn’t too confusing, I’d suggest trying to play from the score, which has both parts. This lets you see what the other part is supposed to be doing 🙂
I take another look at the basic finger/hand motions involved in playing the harp, including some close-ups that give a clear picture of what I’m talking about!
In this episode of Harp Tuesday I talk about three different types of exercises – scales, finger independence, and arpeggios. I give a somewhat in-depth look at arpeggios starting at 14:26
In this episode of Harp Tuesday I talk about dealing tricky rhythms – with a look at sections from Flowers in the Valley, the Sarabande from Bach’s Partitia no. 1, the Interlude from Britten’s Ceremony of Carols, and The Blue Dove.
I talk about looking at patterns as a way to help memorize music, and demonstrate by memorizing “Flowers in the Valley” from Betty Paret’s “First Harp Book”.
I had a lot of fun with this series of episodes – all about arranging Greensleeves. I ended up with an arrangement/composition that I really like, and it’s neat to see it happen bit by bit, including in the first episode, in real time!
In this episode of Harp Tuesday I talk about taking piano music and adapting it for the harp. I use the example of Bach’s Partita No. 1, in particular the Courante:
In this episode of Harp Tuesday I talk about glissando or glisses. The gliss is such a quintessential harp sound – but here I also explore some of the more unusual glisses that are possible:
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Support from my patrons helps make continued Harp Tuesday episodes possible – if you would like to help support future videos you can become a patron at https://www.patreon.com/joshlayne
Get free sheet music and stay up-to-date on what I’m doing by signing up to my email newsletter!
Support from my patrons helps make continued Harp Tuesday episodes possible – if you would like to help support future videos you can become a patron at https://www.patreon.com/joshlayne
I later did a follow up to this episode, plus an episode on changing wire strings:
And low octave gut strings:
I also did a live-stream of changing the strings on my lever harp:
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Support from my patrons helps make continued Harp Tuesday episodes possible – if you would like to help support future videos you can become a patron at https://www.patreon.com/joshlayne
Over the years I’ve done a bunch of further videos on harmonics:
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In this episode I talk about how to play one of the quintessential sounds on the harp – the rolled or broken chord:
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Your second harp lesson. In this episode I talk about playing multiple notes at the same time (chords) and some fingering basics (connecting, etc.)
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In this episode I look at pedals changes, and how you can change two pedals with one foot. (Plus a follow up video)
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In this episode I cover two topics – tuning your harp and learning to read music. I’ve also included the conclusion to my look at learning to read music, Harp Tuesday ep. 80
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Your first harp lesson! I talk about some basics to get you started playing the harp:
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I was still working on the format of Harp Tuesday and was splitting everything into shorter videos. Also, sound balance is not great – you may find you need headphones while listening.
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Support from my patrons helps make continued Harp Tuesday episodes possible – if you would like to help support future videos you can become a patron at https://www.patreon.com/joshlayne
I was still working on the format of Harp Tuesday and was splitting everything into shorter videos. Also, sound balance is not great – you may find you need headphones while listening.
Get free sheet music and stay up-to-date on what I’m doing by signing up to my email newsletter!
Support from my patrons helps make continued Harp Tuesday episodes possible – if you would like to help support future videos you can become a patron at https://www.patreon.com/joshlayne
November 29, 2010 – Episode 1 – An in-depth look at Benjamin Britten’s Ceremony of Carols. The first ever Harp Tuesday! I ended up re-uploading this after adjusting the audio levels – I’ve linked to that version, but you can still find the original on my YouTube channel.
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Support from my patrons helps make continued Harp Tuesday episodes possible – if you would like to help support future videos you can become a patron at https://www.patreon.com/joshlayne